Before he set out to make the new wondrous wormhole thriller “Jumper,” director Doug Liman took a book called “The Bourne Identity” and made it one of the biggest franchises of recent Hollywood history.
And looking at young David Rice (Hayden Christensen), the supernaturally gifted 20-something at the center of “Jumper,” it’s hard not to notice a few key similarities between the genetically engineered super spy Jason Bourne and Rice, a masterful manipulator of space and time.
For starters, they both possess in their very DNA an array of special gifts that allow them to transcend average human abilities. Second, they are both being hunted — pursued by men who are determined to destroy them for possessing the very gifts that make them so unique in the first place. Beyond all this, both Rice and Bourne are distraught as they come to learn that they are a liability to those they love.
Look to the likes of “Lord of the Rings” or even “Star Wars,” and you’ll see the same themes taking center stage: Gifted young men, learning how to achieve their potential, all while enduring pangs of loneliness. And so it is with “Jumper” that we see the familiar formula being dusted off for a new run around the bend, this time polished with a coat of digital-age hyperactivity (forget e-mails and instant messages, imagine a 24/7 Internet connection that allows teens to hop from continent to continent in the blink of an eye).
It all starts when Rice is a teenager in high school, when a bully tosses his gift to his would-be girlfriend out on the frozen lake. Walking out on the thin ice, he falls through, and in a moment of panic, he awakes to find himself in a pool of water in the local library.
The same thing happens later that night, as his abusive father bangs on his locked bedroom door. Terrified, he again wakes up in the library, and it doesn’t take him long to realize that he has “teleported.” Curiously, his discovery of this ability - to rip a wormhole in space-time that allows him to hope from one location to another — doesn’t seem to surprise Rice all that much — but then again, for a 15-year-old, maybe anything seems possible.
Jump forward several years and we see what Rice has done with his gift. Having robbed one bank after another by teleporting into their vaults in the middle of the night, an older Rice is rich, keeping hold of an apartment in New York, London and who knows where else. Having traveled to every continent, and tracked down the best “jump sites” in almost every country, his days consists of a global routine - having lunch in Australia, afternoon tea in Europe, dinner in Japan, and a late-night drink back in NYC.
Think of it like “The Bucket List,” only this time, instead of a pair of dying old rich men, it’s a bored, young rich superhero.
Doesn’t it get lonely for Rice, hopping continents but never knowing anyone? The movie doesn’t seem all that interested in discussing such things. But it’s when a nostalgic Rice sets out to reconnect with Millie (Rachel Bilson), that would-be childhood girlfriend, that he realizes there are some out there who see his gift of “jumping” as something dangerous.
While in Rome, he is attacked, by Roland (Samuel L. Jackson), who seems to know an awful lot about men like him. If not for the help of Griffin (Jamie Bell), another young jumper who saves Rice’s butt and tells him the rules about this ancient war being waged between those who jump and the religious fanatics who see jumpers as the product of the devil, Rice wouldn’t stand a chance.
Much like “Bourne Identity,” Liman drops us in the middle of this world, and trusts that we’ll keep pace as things heat up — that we’ll come to understand the rules governing Rice’s jumps across the universe, to appreciate the back story of how his mom abandoned him at a young age and left him wanting to flee from his Michigan home, and to comprehend the war being waged between the likes of Roland and Griffin.
And for the most part, we do. It’s an undeniably trippy thing that Rice can do, and we come to appreciate the freedom he feels, unburdened by any concerns of money or geography, and also the emotional distance that accompanies that freedom.
It’s these themes that work better in “Jumper,” proving far more rewarding than the foot chases and shootouts with Roland. Unlike “Bourne,” there are no rules of gravity in Rice’s world. At any second, he can disappear and reappear, turning the tables on his attacker or teleporting away to grab a gun — a fact that sucks the danger right out of the movie.
Curiously, “Jumper” isn’t as exciting as it is interesting. Near the film’s end, we kind of wish they had stopped fighting long enough to explore Rice’s power, and its implications, a little bit more. But maybe that’s for the sequel.